You ain't gotta be rich but fuck that, how we gonna get around your bus pass?
Fo' I put this pussy on your mustache, can you afford me?
My niggas breadwinners, never corny. Ambition makes me so horny.
Not the fussin' and the frontin', if you got nuttin', baby boy, you betta "Git Up, Git Out and get somethin" Shit!.
I like a, lot of P-rada, Alize and vodka. Late nights, candlelight, then I tear the cock up.
Get it up I put it down everytime it pop up, huh, I got to snap em, let it loose, then I knock ya, feel the juice, then I got ya.
When you produce a rocka I let you meet momma and introduce you to poppa.
My, coochie remains in a Gucci name. Never test my patience nigga, I'm high maintenance.
High class, if you ain't rollin, bypass, if you ain't holdin, I dash, yo.
“All of this is typical girl-fear. Once you realize that The Exorcist is, essentially, the story of a 12-year-old who starts cussing, masturbating, and disobeying her mother—in other words, going through puberty—it becomes apparent to the feminist-minded viewer why two adult men are called in to slap her around for much of the third act. People are convinced that something spooky is going on with girls; that, once they reach a certain age, they lose their adorable innocence and start tapping into something powerful and forbidden. Little girls are sugar and spice, but women are just plain scary. And the moment a girl becomes a woman is the moment you fear her most.”
—Rookie » The Season of the Witch (via yousaytheydontcare)